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Hi-Fi News Magazine

Further Details

12 issues per year.
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Current Issue

JAN 25,  released 13/12/2024
(9 in stock)
inc. p&p to United Kingdom
Next Issue: FEB 25, Due:10/01/2025
An audiophile’s dream magazine, Hi Fi News magazine covers the world of hi-fidelity sound in perfect pitch.

This well-written magazine unsurprisingly covers all the latest news and developments from the audio industries, along with insightful opinion pieces from their experts and incisive journalism. It features both comprehensive reviews and product tests of hardware for every budget – amps, decks, speakers, subwoofers, DACs, CD players, headphones and more, - and classic album reviews, all rated on the quality of their sound so you can get the best from your system. Also includes practical advice for creating the perfect audio set-up for your home, whatever your budget.

Buy a single copy of HI-FI NEWS or a subscription of your desired length, delivered worldwide. Current issues sent same day up to 3pm! All magazines sent by 1st Class Mail UK & by Airmail worldwide (bar UK over 750g which may go 2nd Class).

If there’s one thing that really gets our goat here at Newsstand, it’s poor audio quality. We think that the seasoned experts behind Hi-Fi News will agree with us when we say there is simply no excusing for exposing your ears to anything less than high-quality audio when listening to music – hearing a version of your favourite song being played on rubbishy speakers is the equivalent to us of eating a sandwich with a wonderful filling but with cardboard instead of bread. The excellence is in there somewhere, but you have to chew through a lot of mulch before you can experience it.

The main culprit, in our opinion, is compression. Have you ever noticed that the adverts on TV always seem to be louder than the programs? That’s because where the programs allow space for natural moments of loud and quiet, the ads are compressed so that everything is as loud as legally possible in order to grab your attention. This has happened to music as well in the last 20 years or so, meaning that rather than the clean and beautiful listening experience you might have once experienced, with quiet moments and loud ones conveying emotion and feeling, instead you get subjected to a ‘wall of sound’, and that, in our overly English sounding opinion, is simply not on. NB

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